Proposal One (with elements from Proposal Two.)
- Montage of main character/victim with friends and doing other various things that she enjoys doing- this is before the stalking begins, this shows her normal life and helps to establish the character in the film trailer.
- Montage of main character/victim with friends and doing other various things that she enjoys doing- this is before the stalking begins, this shows her normal life and helps to establish the character in the film trailer.
- POV shots from the villain's point of view in the shed scene as they are not going to be revealed.
- Ambiguity over the stalker- there is three possible villains: A past tutor who is obsessed with the character, a member of the friendship group who begins to act stranger, a creepy ex-boyfriend who hasn't quite got over the break-up.
- Close-up of the masked stalker as they are masked the audience will not know which of the possible villains it is but starts a guessing game, this involves the audience in the film and will persuade them to go to see it.
- High key lighting at the beginning and then switches to low key to show the shift in mood and events.
- Ending: Struggle between the victim and villain in an underground car park.
- A wooden shed includes pictures of the victim that the stalker has collected- he has a shrine for her.
- Medium shots and long shots so that we do not give away the identity of the stalker.
- Jump cuts towards the end of the trailer that show the villain being in one place and then another in a short amount of time- it shows that they are everywhere and there is no escape for the victim.
- Ambiguity over the stalker- there is three possible villains: A past tutor who is obsessed with the character, a member of the friendship group who begins to act stranger, a creepy ex-boyfriend who hasn't quite got over the break-up.
- Close-up of the masked stalker as they are masked the audience will not know which of the possible villains it is but starts a guessing game, this involves the audience in the film and will persuade them to go to see it.
- High key lighting at the beginning and then switches to low key to show the shift in mood and events.
- Ending: Struggle between the victim and villain in an underground car park.
- A wooden shed includes pictures of the victim that the stalker has collected- he has a shrine for her.
- Medium shots and long shots so that we do not give away the identity of the stalker.
- Jump cuts towards the end of the trailer that show the villain being in one place and then another in a short amount of time- it shows that they are everywhere and there is no escape for the victim.
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